Russian Writers in the Ukraine Speak Out
March 6, 2014 Leave a Comment
This morning, after reading my post on Ukrainian literature, the translator/writer/editor Tanya Paperny passed along the following letter, which is signed by twenty-one Russian-language writers living in Kharkov, the second-largest city in Ukraine. I think it’s important that more people have a chance to read this, so I’m posting it here.
On March 1, the Council of the Russian Federation backed the Russian President’s appeal to take exhaustive measures to protect Russians in Ukraine, going as far as the introduction of Russian armed forces onto Ukrainian territory. On that same day, in the regional capitals of Western Ukraine, pro-Russian rallies instigated by city authorities took place. Participants in the rallies in Kharkov, including people who had been brought in on buses with Russian numbers, stormed the regional administration building and beat up the Euromaidan supporters inside, including the famous writer Serhiy Zhadan (he was taken to the hospital with a fractured skull, a concussion, and a possible broken nose). A Russian citizen and resident of Moscow climbed onto the regional administration building and installed a Russian flag.
Officially, the Federation’s Council is guided by the alleged reports of numerous infringements upon the rights of Russians in Ukraine. If such reports exist, they should be made public and each one thoroughly studied.
We, Russian writers of Kharkov, want our voices to be heard, too: at work and elsewhere, we freely communicate in Russian, even with our Ukrainian colleagues. In any case, the questions under discussion about linguistics or nationality cannot be reasons for military intervention.
We, Russian writers of Kharkov and citizens of Ukraine, don’t need the military protection of another State. We don’t want another State—hiding behind the rhetoric of protecting our interests—to drive its troops into our city and our country, risking the lives of our friends and relatives. All we need is peace and a calm life. And the decision by the Russian Federation and its military invasion is a real threat to this possibility.
• Anastasia Afanasyeva, winner of the “Russian Prize” and the “LiteratuRRentgen” prize, short listed for the “Debut” prize
• Dmitry Dedyulin, poet, writer
• Elena Donskaya, writer, teacher
• Inna Zakharova, poet, human rights activist
• Andrei Klimov, writer
• Svetlana Klimova, writer
• Vladislav Kolchigin, poet
• Alexander Kocharyan, poet
• Andrei Krasniashikh, co-editor of “Writers Union” literary journal, short listed for
Andrei Bely, “Nonconformism,” O.Henry and Daniil Kharms prizes, long listed for “Russian Prize”
• Alexandra Mkrtchyan, long listed for “Russian Prize”
• Kirill Novikov, poet
• Sergey Pankratov, writer
• Oleg Petrov, poet, writer
• Andrei Pichakhchi, writer, artist
• Irina Skachko, poet, journalist
• Yuri Solomko, short listed for “LiteratuRRentgen” prize, long listed for “Debut” and “Russian Prize”
• Tatyana Polozhii, poet
• Yuri Tsaplin, co-editor of “Writers Union” literary journal, winner of the 2002 “Cultural Hero” award at the national contemporary art festival
• Svetlana Shevchuk, writer
• Victor Shepelev, writer, programmer
• Vladimir Yaskov, poet, translator
[translated by Tanya Paperny]
And another interesting post, here at the London Review of Books, by Peter Pomerantsev who left Russia at the age of 10 months.
The games the Kremlin is playing in the Ukrainian theatre of almost-war are an extrapolation of the techniques it uses in Russia. Postmodern authoritarianism – or whatever you want to call the 21st-century system the Kremlin has developed with its puppet politicians and simulated ideologies and pretend conflicts and real killing and corporate KGBism – is going on tour.